04-12-2011-215501.intrah 1. three assertions of which this one is the first 2. tomorrow is later 3. yesterday is earlier , than this and these before earlier the visibility of blackness , inhaling all intro* <> extra* versus , idem " 'the discovery of an insect' as the merging of 2 titles " - the as black appearing object , the residue of a thing to come the manifestation of a future event -
versus , idem
'this' is not " this and these " blackness compartmentalizing color , an entrance , an exit entrance <> exit , exhaling all black and blackness , as its own absence as its own fullness delineating itself as a borderless object , an endlessly extending inhalt as a mold , a template a possibility versus idem
always connecting
always versioning always aligning and signing
the world's compartments , the black and blackness between each object as defining and definition line lines , de linea a veil as front and background , a substrate of time the black , the lack of other , <> as vs as versus delineating itself delineating ' a stubstrate ' idem <> idem
04-12-2011-143654.intrah these and this , threefold things without hierarchical order a question of how many information provided the functioning is the functioning becomes visible , is shown the parts , the operating parts are visible later only that is seen which is not directly visible but has a functioning , only the barely visible is seen observing , the observed and the one observing in reality
the complete invisible
the complete visible
talking about previous - more extending throwing dust , colored dust this might mean more tomorrow than it means today , might also mean might have meant more yesterday the complete visible & the complete invisible , 2 extremes - possibility of extending but 2 extremes , mere postulates ' the complete visible ' ' the complete invisible ' " disappearing " is badly chosen , does not belong in title leaving it , and leaving - the partially visible , the dust as residue the visible as residue of seeing , of being seen the creation of a visibility , the residue of visibility selecting and selected dust not salt , nor seed - leaving it , and leaving - a functionality is rendered visible , words are appearing and disappearing in front of i eyes very fleeting - in short , a visibility that is not 'all-visible' allvisible - leaving it
, and leaving - threefold-things-disappearing-without -
02-12-2011-232702.intrah this one , to be less than 'drawing' unfolding undoing uniting , the threefold root of contradiction ununiting actually the manifestations of an objects , its metaphorical rotation the object of rotation the , but there is no visible rotation here , but there is no physicalrotation here and the object rotating , rotating around - 2 instances , the observer / the observed rotater rotated 'rotation' as unfolding, undoing, ununiting a dissection
the the containing of an object , the body salted salt appearing , as the containing of an object like the undraughtsman's appearance an objects
01-12-2011-221743.intrah this is one drawing , a rotation static this is the description of one drawing a draughtsman's quote " a rotation static
, not moving in distance
but a becoming
a becoming as rotation
"
, the visual machine
windows weaving , branches the other branch a draughtsman's desire all but one drawing , a quoting , all the one drawing ------------------ from 0 to 1200 0 -> 90 91 -> 423 490 > 'kalkuliert', rechner rechnet 650 -> 657 678 -> 'kalkuliert', rechner rechnet 800 -> 842 1024 > 'kalkuliert', rechner rechnet ( another drawing ) -------------------
, all the other
the thickness of a gaze
the sum , the unrepresentable object the sum of representations of the unrepresentable object , a set of images
text&image , always unread an impossible mathematical description of 'matter in space' , the undraughtsman caught drawing , the undraughtsman caught drawing taking a picture
mentioning the else , it is like weaving weaving threads exits , existing body and bodies this is all over the place , like weaving all over the place , weaving like a becoming as rotation all the one drawing , not an olive tree in amsterdam in 1538 the undraughtsman caught drawing taking a picture of the unrepresentable object
, counting only the first
one and then salts and seeds all over the place weaving ,
